Slap Bass Study #7

This piece was originally written to represent virtuoso bassist Stuart Hamm. It focuses specifically on the instrumental music that he recorded during the late eighties and early nineties. The line features many common elements of his playing style, such as complex slap grooves, triplet popping lines, note bending, the use of open strings, and the use of the two handed tapping technique. This track also includes a long bass solo, which will provide you with an opportunity to put all of the above techniques to use in a musical way.

Don’t forget to hit the Download Resources button above in order to download the PDF transcription and audio files for this piece (available to subscribers only). The transcription is available with TAB and without, for those who wish to work on their reading skills.